New York City, 2141: Yojana Patel throws herself off a skyscraper, but never hits the ground.
Cornwall, 1640: gentle young Dora Predennick, newly come to Sweetclover Hall to work, discovers a badly-burnt woman at the bottom of a flight of stairs. When she reaches out to comfort the dying woman, she’s knocked unconscious, only to wake, centuries later, in empty laboratory room.
On a rainy night in present-day Cornwall, seventeen-year-old Kaz Cecka sneaks into the long-abandoned Sweetclover Hall, determined to secure a dry place to sleep. Instead he finds a frightened housemaid who believes Charles I is king and an angry girl who claims to come from the future.
Thrust into the centre of an adventure that spans millennia, Dora, Kaz and Jana must learn to harness powers they barely understand to escape not only villainous Lord Sweetclover but the forces of a fanatical army… all the while staying one step ahead of a mysterious woman known only as Quil.
When I first learned of TimeBomb, I thought it sounded really interesting, which meant I was stoked to have won an ARC via Twitter. Described as a YA trilogy featuring time travel and Roundheads and Cavaliers, it sounded like it should be a tremendous amount of fun and that is exactly what it was. TimeBomb was a page turner of a story, with a cool premise and fabulous characters. Continue reading
Two kids on a rescue mission.
A mysterious realm of living metal.
One secret that will change the world.
For Phoebe Plumm, life in affluent Meridian revolves around trading pranks with irksome servant Micah Tanner and waiting for her world-renowned father, Dr. Jules Plumm, to return home. Chief Surveyor for The Foundry, a global corporation with an absolute monopoly on technology, Phoebe’s father is often absent for months at a time. But when a sudden and unexpected reunion leads to father and daughter being abducted, Phoebe and would-be rescuer Micah find themselves stranded in a stunning yet volatile world of living metal, one that has been ruthlessly plundered by The Foundry for centuries and is the secret source of every comfort and innovation the two refugees have ever known.
The Foundry’s Edge is the first instalment in The Book of Ore and is aimed at the middle grade market. As such it is a bit younger than I usually read, but in my opinion it’s very much at the upper range and there will be plenty young adult readers who will get a kick out of this story. It’s a very fun romp with a lot of action and very cool characters. I enjoyed the book tremendously, not least because of the wonderfully inventive world of Mehk and the cool characters that inhabit it. Continue reading
It’s 1910 and the British rule the subcontinent with an iron fist – and with strange technology fuelled by a power source known as Annapurnite – discovered in the foothills of Mount Annapurna. But they rule at the constant cost of their enemies, mainly the Russian and the Chinese, attempting to learn the secret of this technology… This political confrontation is known as The Greater Game.
Into this conflict is pitched eighteen year old Janisha Chaterjee who discovers a strange device which leads her into the foothills of the Himalayas. When Russians spies and the evil priest Durga Das find out about the device, the chase is on to apprehend Janisha before she can reach the Himalayas. There she will learn the secret behind Annapurnite, and what she learns will change the destiny of the world for ever.
Jani and the Greater Game is not your usual Eric Brown, at least not at first blush. There are no huge space ships, or alien invasions or travel among the stars, at least not judging from the synopsis on the back of the book. Instead, we’re given a YA steampunk adventure set in an alternative 1910 British Raj. Yet it turns out Jani and the Greater Game actually is classic Eric Brown: the book explores societal change and how his characters react to this, though in this case the change isn’t brought about through alien occupation, but through the rise of Indian Nationalism and the threat of invasion from places unknown. Continue reading
On an autumn day in 1686, eighteen-year-old Nella Oortman knocks at the door of a grand house in the wealthiest quarter of Amsterdam. She has come from the country to begin a new life as the wife of illustrious merchant trader Johannes Brandt, but instead she is met by his sharp-tongued sister, Marin. Only later does Johannes appear and present her with an extraordinary wedding gift: a cabinet-sized replica of their home. It is to be furnished by an elusive miniaturist, whose tiny creations mirror their real-life counterparts in unexpected ways . . .
Nella is at first mystified by the closed world of the Brandt household, but as she uncovers its secrets she realizes the escalating dangers that await them all. Does the miniaturist hold their fate in her hands? And will she be the key to their salvation or the architect of their downfall?
Jessie Burton’s debut novel The Miniaturist is set in seventeenth-century Amsterdam. This was Holland’s Golden Age and as such an important part of my country’s heritage. For that reason alone the book would have been of interest to me. Add to that the wonderful inspiration for the book, the Oortman doll-house still on display in our Rijksmuseum, and the fact that a lot of people who’s opinion I respect were saying nothing but good things about it, and the book became a must-read. Continue reading
Gwenevere, Arthur’s Saxon wife, is a problem. As the dynastic cement between the British and the Saxons, her marriage to Arthur will result in a child that will unite both sides. At least, that would have been the plan, had the Great Duke Arthur not died and left the petty kings of Britain to squabble over his title.
Only Morvran, Arthur’s chief fixer, has the wit to see that the Fourth Gwenevere is the key to maintaining a crumbling peace. But when she is abducted, it seems that all hopes might disappear with her.
For, in a world where swords and horses have names of honour, where poets speak as oracles of a shifting truth and the raiding of Saxon warriors is set to ruin Britain, perhaps it’s only the Fourth Gwenevere herself who has the real solution?
I’ve always loved Arthurian tales, or the Matter of Britain to give them their proper name, ever since I first read an adaptation when I was a little girl and just reading on my own. When I was just a teen I loved The Mists of Avalon and I read many variations and retellings in the years since. Thus a book that is titled The Fourth Gwenevere immediately grabs my attention. The Fourth Gwenevere however isn’t a straight retelling of the Arthur legend as we know it – the sword in the stone, the round table, Lancelot and Gwenevere and so on – but the tale of what happens after Arthur is taken to Avalon and the kingdom has to go on without him. And it’s not the tale you might have expected. Continue reading
Irregularity is about the tension between order and chaos in the 17th and 18th centuries. Men and women from all walks of life dedicated themselves to questioning, investigating, classifying and ordering the natural world. They promoted scientific thought, skepticism and intellectual rigour in the face of superstition, intolerance and abuses of power. These brave thinkers dedicated themselves and their lives to the idea that the world followed rules that human endeavour could uncover… but what if they were wrong?
Irregularity is about the attempts to impose our order on nature’s chaos, the efforts both successful and unsuccessful to better know the world.
From John Harrison to Ada Lovelace, Isaac Newton to Émilie du Châtelet, these stories showcase the Age of Reason in a very different light.
Reading Irregularity, Jurassic London’s sixth full-length anthology and the second edited solo by Jared Shurin, was a strange reading experience, as I’ve read a lot of seventeenth and eighteenth century literature at university. Much of that was in the Penguin Classic editions (the ones with a black spine and a red bar at the top) and while the cover is in no way reminiscent of those, the font used for Irregularity really resembles the look of those editions. Add to that the fact that a lot of the stories are written in the same language and with the same sensibility as those classics and for a moment it seemed as if I’d traveled back in time to my student days. Thankfully, reading Irregularity in no way felt like an essay assignment, in fact it was fantastic fun. Continue reading
A shocking new world. A dangerous choice. Two futures preparing to collide . . .
Having left her soulmate White behind her in Angle Tar, Rue is trying to make sense of her new and unfamiliar life in World. Its technologically advanced culture is as baffling as is it thrilling to her, and Rue quickly realises World’s fascination with technology can have intoxicating and deadly consequences.
She is also desperately lonely. And so is White. Somehow, their longing for each other is crossing into their dreams – dreams that begin to take increasingly strange turns as they appear to give Rue echoes of the future. Then the dreams reveal the advent of something truly monstrous, and with it the realisation that Rue and White will be instrumental in bringing about the most incredible and devastating change in both World and Angle Tar.
But in a world where Life is a virtual reality, where friends can become enemies overnight and where dreams, the future and the past are somehow merging together, their greatest challenge of all may be just to survive.
The Illusionists is Laure Eve’s second novel in the Fearsome Dreamer sequence. While I really enjoyed Fearsome Dreamer, I did have some niggles with it, mostly to do with pacing and structure. In The Illusionists these problems have all been ironed out and the book is a far smoother read and the story is still as interesting and complex as Eve’s debut. As an added bonus, the protagonists are easier to relate to as well, having lost some of their rougher edges. Continue reading
One of this summer’s big releases, which has garnered a lot of buzz, is Ben Peek’s The Godless. I reviewed it yesterday and found it an interesting opening to a new big fat epic fantasy trilogy with intriguing world building and great characters. Today is the book’s official release date and to celebrate it, I’ve got an Author Query for you. I hope you enjoy Ben’s answers as much as I did!
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Fifteen thousand years have passed since the War of the Gods and their corpses now lie scattered across the world. When men and women awake with strange powers derived from their bodies, some see it as a gift – others, a curse.
When Ayae, a young cartographer’s apprentice in the city of Mireea, is trapped in a burning building she is terrified as a dormant ability comes to life within her. The flames destroy everything around her but she remains unscathed – fire cannot touch her.
Then Zaifyr, a man adorned in ancient charms, arrives in Mireea. His appearance draws the attention of two of the ‘children of the gods’, Fo and Bau, powerful, centuries old beings who consider themselves immortal. All three will offer different visions for Ayae’s powers but whichever choice she makes will result in new enemies – and grave danger…
Ben Peek’s The Godless is one of this summer’s big titles. And from the moment I learned about this title when Tor UK asked for feedback on the cover design I knew I wanted to read this book and find out more about its protagonist Ayae. Meanwhile I’ve been reading numerous interviews and guest posts with and by the author and his views on diversity only made me more excited to read the book. Continue reading