Anthony Riches – The Emperor’s Knives

anthonyriches-theemperorsknivesThe seventh novel in Anthony Riches’ acclaimed Empire sequence brings Marcus Aquila back to Rome, hunting the men who destroyed his family.

But the revenge he craves may cost him and those around him dearly.

The young centurion’s urge to exact his own brutal justice upon the shadowy cabal of assassins who butchered his family means that he must face them on their own ground, risking his own death at their hands.

A senator, a gang boss, a praetorian officer and, deadliest of all, champion gladiator Mortiferum – the Death Bringer – lie in wait.

The knives are unsheathed, and ready for blood…

The latest instalment in Anthony Riches’ Empire series is The Emperor’s Knives. After a stint in Dacia and a short stay in Britannia, this outing takes Marcus and friends to the Eternal City, the Capital of the World, Rome itself. All of our favourite Tungrians are along for the ride and in Rome we meet some old acquaintances in the form of Senator Decimus Clodius Albinus, who we last saw in Dacia while still a legatus, and Tiberius Varius Excingus, someone Marcus last saw before his stay in Germania. These links are revealed early on, though never explained in-depth, but enough for a new reader to understand their context. And if that wasn’t enough, there are gladiators! All of which makes for an exciting mix and a riveting story. 

The book is filled with conspiracies and double crosses and no one’s alliances are what they appear to be on the surface. Especially since Excingus’ loyalties are for sale to the highest bidder and he also has his own agenda, which makes untangling the lines between all the players doubly complicated. In some cases, the mysterious talks become too mysterious, as at one point Scaurus has a talk with someone, whose identity I still haven’t figured out. It’s quite possible however that those who’ve read the entire series will know who this patron was. I also liked how Riches showed how quickly alliances in Rome could shift based on politics, honour, and personal gain.

Despite Excingus’ ample help, almost leading Marcus and friends by the nose, in tracking and dealing with them, I was surprised by the apparent ease with which the first three Knives were dispatched. While the Tungrians are good, this was rather too easy. However, it does leave us free to follow Marcus in his quest to kill the last Knife, which forms the meat of the story. Marcus together with one of his fellow Tungrians joins the Dacian Ludus as a gladiator, so he can get close to Mortiferum, the last of the Emperor’s Knives who killed his family. I loved this look at the inner workings of a gladiator school and the Flavian Amphitheatre better known as the Colosseum. There is an interesting metaphor for modern day celebrity culture to be found in the way gladiators became virtual slaves in order to win fame and fortune and the adulation of the people. Granted, not all gladiators became one by choice, it was also a punishment for criminals and the fate of many prisoners of war.

The philosophy behind this tale of revenge is interesting as in the end, Marcus himself admits revenge is hollow, feeling only emptiness once his revenge was accomplished instead of the satisfaction he’d expected to feel. There is a strange morality to this book where death is treated as an everyday occurrence and as a means of entertainment for the masses. In the previous two Empire books I’ve read the body count was equally high, but fascinatingly it only became disturbing in The Emperor’s Knives. In all likelihood, this is due to the fact that many of the previous deaths took place in battle and this is a natural outcome of war, while the deaths in this book are often quite premeditated, not only killing those marked for vengeance, but also relatively innocent bystanders, whose biggest crime was for example drawing guard duty on the wrong night. And of course, the blood-letting in the arena, where men, women, and beasts are sent out to die in horrible combat or other indignities—the larger the amount of blood spilled, the louder the watching crowds cheered. Marcus is an honourable man, he’s never written as anything less, yet in this book he’s also a cold-hearted killer, killing everything standing between him and the objects of his revenge, something that felt jarring and a little disturbing.

There is also a lot of humour and ingenuity in The Emperor’s Knives. I loved the ruse the Tungrians set up to protect Felicia, when she goes to live in her father’s house in the city of Rome, instead of the cohorts’ barracks. The barber shop is fantastic and quite funny, especially the way that the less-than-reputable standard bearer Morban runs the shop. In the scenes in the shop and throughout the book there is an enormous amount of banter to be found; often it’s off-colour and low-brow, at times dry or acidic, but it feels genuine and adds comic punctuation for the darker scenes in the book. My favourite addition to the cohorts’ forces was the group of engineers headed by Avidus, as sappers are a special breed and I hope they’ll be around in the next book as well.

The Emperor’s Knives is a wonderful addition to the Empire series. Rounding out a multiple book story arc with Marcus’ family avenged, it’ll be interesting to see where Riches will take Marcus and the Tungrians next, especially given the commissions handed out at the end of the book. I’m really glad that I took a chance and started the Empire series five books in, as the three I’ve now read are excellent and Marcus and company make for great entertainment. While The Emperor’s Knives needs perhaps a bit more grounding in the series than the previous two books, it still stands alone exceedingly well. If historical fiction set in the Roman Empire is to your taste, you can’t afford to miss The Emperor’s Knives.

This book was provided for review by the publisher.